Saturday, January 22, 2011

Batman in 2000's: Christian Bale


CHRISTOPHER NOLAN MOVIES

Christian Bale: He's this demonic beast who is capable of incredible destruction who has essentially a good heart (ChuckTheMovieGuy int. 2005)
This Batman is neither a Gothic sociopath which Michael Keaton portrayed, nor is he a depressed superhero that Val Kilmer presented or a next door guy that George Clooney played. It's a different take which brings something never seen onscreen before and also a mix of the previously shown characteristics. One must remember that there's no such thing as a "real" or definitive or "proper" Batman portrayal. Batman had many different faces and interpretations throughout the years, starting out as a dark, killing creature of the night, progressing into constantly smiling campy character ending up being a dark superhero with strong moral code

Jonathan Nolan:  Just like walking into a comic book store and seeing 8 different versions of Batman, it feels very natural to have the same sort of thing with the movies.(BOF 2008)

Bruce Timm: I’ve said it over and over again – Batman as a character is such a strong concept, he’s the kind of character that you can take him in any number of ways and it still feels right (PR 2010)

Bale's version of Batman is definitely the closest to the modern modern age Batman, with only differences being the toning down of some of the comic book abilities in order to make the character more real and less of a "mastered everything" guy.

Bale portrays the Modern Batman, intimidating with anger and force
 

Christopher Nolan: My job is to translate something abstract into something concrete (...) I wanted something serious that doesn’t take itself too seriously (Box Office Mojo 2005)
I wanted to try to do it in a more realistic fashion than anyone had ever tried to a superhero film before (Guardian.co.uk 2005)

David Goyer: It’s definitely a depiction of Batman that…I mean, it’s all filtered through Chris’ vision and he is a very naturalistic director (...) We wanted to show how did this happen and why did he choose everything. And it’s all explained very, very well and in detail. And in making that kind of approach, I think it couldn’t help but appear different because you got a real character, you know? (Rebecca Murray int 2005)


Christopher Nolan: Ive always been a big fan of the character but I am by no means any kind of comic book expert. I felt I needed a writer on the project who really knew the character, really knew the comic world (Making of Batman Begins)

Since this was a conventional approach to the character, not a Gothic/poetic presentation that we have seen in Tim Burton's movies or a Cartoon/Pop version presented in Joel Schumacher's flicks, the character was naturally the main character in the movie and was given origins, explaining the motivation and the path of a young Bruce Wayne to becoming a highly skilled warrior trying to make a difference in Gotham City.

Christian Bale: You had to get to a point where the audience would be drawn in enough to believe that this guy has gone through so much pain and anger, and then we have a really nice backstory about how he creates the Batman (Rebecca Murray int. 2005)
I was never into comic books.  I just happened to come across Frank Miller’s “Batman Year One” and have enjoyed that tone (Collider.com 2008)

Christopher Nolan: I chose Christian to play Batman based on the idea that in trying to create a realistic version of the story you need an actor like Christian who has sufficient intensity. It was very clear to me, from his other performances and from meeting him in person, that Christian has the ability to project that kind of intensity and that’s why I asked him to do the role. (indielondon.co.uk)


In the comic books, young Bruce Wayne decided to become an outlawed crime fighter days after his parents' death and almost instantly started his quest. He used his parents money to travel the world incognito at the age of 10, leaving to Tibet with fake ID and documentations in order to allow him to travel at such young age, to learn different skills from best masters in the world, (all that while studying law and acting goofy and unfocused in the University to avoid suspicions in the future. Bruce trained different things with different masters, body with someone different, mind with someone different, chemistry with someone different, guns with someone different and detective skills with someone different.

His origins and motivation in Batman Begins were altered from the comic book version. None of the above actually takes place and Bruce is shown as a troubled and flawed young man driven by selfish revenge  which he promised his parents, who comes to understand the wrongdoing of his actions and motivations. That gives the character a little more complexity and drama, giving him a character arc very early in the story. Bale's Bruce goes to Princeton and eventually drops out. He then comes back to Gotham with the intention of killing Joe Chill and then Carine Falcone. As Bale said, up to that point, he was a spoiled angry young man with no understanding of real life

Christian Bale: Having such access and such power is something that is quite unimaginable to almost anybody who's just never experienced that in their life. (...) It actually became something that made him feel completely impotent at the end of the day, that he was kind of this little prince, born with a silver spoon and just incapable of ever understanding desperation or need or any of that.(IGN 2005)
You have the younger stages I played him at age 22 as well when he's kind of lost cause and angry young man  (ChuckTheMovieGuy int 2005)


It wasn't until Rachel's rough talk that this angry young "prince" started rethinking things and changing. his way of thinking. Right after Rachel's harsh words he went on to think things over and eventually changed his entire outlook...

Christopher Nolan: Katie also has a maturity beyond her years that comes across in the film and is essential to the idea that Rachel is something of a moral conscience for Bruce. (indielondon.co.uk)

...also realizing that the gun that he was holding was a tool used to take the loved ones from him and he never used or thought of using guns again, a very believable and very good explanation for why he doesn't use firearms later on.


Confused and lost, he decides to leave everything behind and run. He leaves to Asia where he learns how regular, "real" people live, living among the poor and seeing how criminals work and think, eventually ending up in a prison but still without any purpose or meaning in life. Christian Bale describes Bruce in this phase of his life as an "older angry guy in the jail, in Bhutan, and discovering who he is and getting some sense of purpose" (Rebecca Murray int. 2005) , confirming yet again that he didn't have one before. He discovers his purpose thanks to a mysterious visitor who introduces himself as Henri Ducard but is in fact Ra's Al Ghul, who recognizes the confusion and lack of purpose in Bruce and offers him one.


After a long journey to the top of the hill, Bruce realizes wht he truly wants in life, which is  seeking the "means to fight injustice" and is then trained in martial arts by the League of Shadows. He turns against them since he refuses to kill.
It is worth nothing that the trip to the top of the mountain in order to find a mentor is an homage (one of many)  to Batman #431.


It is also worth noting that  1989's "Batman - A Man Who Falls"  was given to Nolan and Goyer by DC as a reference and was reprinted as a tie-in to Batman Begins.

The no killing rule becomes quote important in this version of the story, and both movies center around it. 

Christopher Nolan: The discussion we were having about heroism is something I’ve thought a lot about Batman because, yes, you can make him very dark but you can’t ignore the question of his heroism and his inherent ability. Otherwise, he ceases to be Batman—he becomes a different character, the Punisher, the Crow. The fans can argue about what defines Batman, but the heroism—the positivity of what he’s actually doing—isn’t up for discussion. Again, it’s not just about making him darker—it’s about making him more realistic. (Box Office Mojo 2005)

The no killing rule isn't overdone however. If the villain is too dangerous to be kept alive and taking him in appears to be a futile or impractical effort, he does what's necessary, as he did in the League of Shadows temple and with Ra's Al Ghul in Gotham.

This Batman's primary characteristics are anger, fury and obsession which he's driven by.



Christian Bale: I would always remember about the fact that this is somebody who is fanatical, you know? If you think about the obsession that somebody must have to retain the pain and anger from an incident that happened 20 years previously and is still in the forefront of his mind. You know that’s an incredible obsession. I mean, that’s an unhealthy obsession. So concentrating on the fact that he’s attempting to take his pain and his guilt and his anger and the rage and do something good with it, even though his impulses are that he does just want to rage and break bones and do damage.
I never wanted to appear to be Bruce Wayne in a Batsuit when I was playing the Batman. That he just becomes - that it is an alter ego completely.




I could not wear that suit without making myself feel like some kind of beast. And so I found it just happened really kind of organically and I just went with as much aggression and rage as I could, bordering on appearing like a bad guy when he’s got the suit on. That you should be unsure when you’re faced with him


He could do good things but man, he could just as easily flip over and become like the ultimate villain. (Rebecca Murray int. 2005)

I think certainly Bruce Wayne is obsessive. Hes driven by very negative emotions. He has a great deal of guilt and a great thirst for revenge (Charlie Rose int 2005)

I think Batman is probably more aggressive than anybody I've ever played (via christophernolan.net quotes)

When he gets into the costume, he lets himself go and releases his anger and fury, but still keeps it under control.

How much of Batman's anger is really under control by the end of this film?
Christopher Nolan:
Well, I think when it's harnessed, and that is a form of control, that doesn't mean it's not there and it doesn't mean it's suppressed - it's channeled and it's harnessed. And that to me is what keeps him as a character frightening to his opponents and all of us to some extent.



He has this rage inside himself and desire to do something emotionally and extraordinary (IGN 2005)


Christian Bale: There is the batman creature obviously which to me was kinda Bruce Wayne's therapy, hes this demonic beast who is capable of incredible destruction who has essential a good heart and has inherited philanthropy from his father which is making him pull himself back and recognize that he must do good that he cant become a force of destruction, he must have a good altruistic goal at the end of the day (ChuckTheMovieGuy int 2005)


The costume lets him vent but there's no psychosis or real duality here

Christian Bale:  I wouldn’t say he’s schizophrenic or something, like it’s an actual – or multiple personalities where he’s unable to control. He can control it, but it’s intense discipline that he’s learned to be able to function in everyday life (...) Nobody would say it would be a healthy state of mind to be in, but I’m not suggesting that he’s actually got multiple personality disorder or anything like that. (Rebecca Murray int 2005)
His negative emotions can go into that character so that he is able to function in his everyday life.(IGN int 2005)



Since Bruce Wayne, who is a very public figure due to his father's contributions to the city, came back to spotlight just when Batman appeared, he had to put on a facade and act like a dumb, spoiled and irresponsible playboy in front of the public


The real Bruce however, is described by Bale as "genuine". His business side isn't all play thought

Christopher Nolan: I see him as being like Howard Hughes, whom I wrote a script about. There’s a lot of Howard Hughes in Bruce Wayne. The bottom line on Howard Hughes is that you can read as many books that say he was a brilliant businessman as you can that say he didn’t have a clue. At the end of the day, he did extraordinary things with his money in terms of engineering and accomplishments and a self-interested direction. And I see Bruce Wayne as a very smart guy who’s going to use his money in a [similarly] extraordinary way (Box Office Mojo 2005)


Bruce Wayne training all of his life in every category like a supersoldier was great for the comic books and the previous movies, but would not make a very real character in his real life portrayal and wouldn't be so easy to be identified with. Since Bale's Bruce did not go for such training since the early age and instead on South Asian streets after he escaped school and Gotham, he doesn't have some of the abilities that the comic book Batman has. By stripping Batman from some of the abilities and making him more vulnerable psychologically, it makes the character more real and more believable.

This Batman is intelligent of course, but is also someone who still needs a kind of parental guidance.  Rachel is that to an extent, but Alfred is truly a guiding father figure for Bruce who always comforts him and help him take his decisions, and the only person that truly knows him

Christian Bale: And then you have the real Bruce Wayne who really nobody sees except for Alfred (ChuckTheMovieGuy 2005)
He's a good actor. He performs most of the time. The only person who knows who he really is Alfred.(IGN int. 2005)
Alfred has been his surrogate father since the age of 8 (CBS int)

Christopher Nolan: He's really a sort of a father, he takes over being Bruce's father effectively (Charlie Rose int 2005)

Michael Caine: I'm a father who knows how to lay a table with the knives and forks in the right places. I’m Batman’s guardian and I actually am with him (via christophernolan.net quotes)


Also, this version of Batman isn't a technical or chemical genius. He obtains all of his gadgets, costumes and accessories from military weaponry thanks to Lucius Fox who creates new costumes, weapons and adjustments for him, as well as necessary chemicals like the antidote to the fear gas ("I'm meant to understand any of that?").


To make the character more real - if he's perfect in everything that doesn't make him much real. If he still has emotional problems and needs help of other specialist in certain areas, that makes him more real, more human.
Another thing is his detective skills. He certainly has some, but nothing extraordinary or exceptional. His detective side was barely touched up upon in Batman Begins...

IESB: Are you hoping to go into the detective side of Batman?
Christian Bale:
You know what, I have no clue what we are going to be doing
(IESB 2006)

IESB: I've asked all of them and I want to ask you the same thing, Batman is a detective in the comic books, are we going to see that side of him in the next film? Are you hoping to see the detective side? 
Jonathan Nolan: Wouldn't that be great. That would be fantastic. I would love that, that would be wonderful (IESB 2006)

Christopher Nolan: We’re trying to get in stuff we couldn’t get into the first film, and the detective stuff is definitely one of those aspects. (CBR 2008)

Q: The Dark Knight is one of the best detectives in the comic book world. Are you going to address that side of Batman in your new film?
Christopher Nolan:
I can’t really say
(via moviesonline.ca 2006)

...and while we see him doing some forensic work in The Dark Knight, he still isn't shown as a deductive , dot-connecting Sherlock Holmes type, but solely relying on the help of his equipment and AI supplied to him by Lucius Fox


However, it was his, not the computer's idea to "Cross-reference the addresses. Look for Parkside, overlooking the parade." 

Fighting crime and corruption isn't all that he wants to do. In the beginning he focuses only on that because he's tryng to make a difference, but he still wants to be with Rachel, lead a life with her

Christopher Nolan: What I was looking for in the character of Rachel was somebody who would be a constant reminder to Bruce Wayne of the life that has been denied him, so I needed somebody with tremendous warmth and great emotional appeal. (indielondon.co.uk)
The feeling of the end of the film is the ending, or postponement, of the relationship with Rachel [the character played by Katie Holmes]—it’s the ending of the Bruce Wayne story and the beginning of Batman—Batman begins. (Box Office Mojo 2005)

That postponment was suppose to last until Batman makes a difference and he did almost instantly. Not all of the reaction was positive thought, and Chris Nolan explains why

Christopher Nolan: Batman is positive, but I believe that, in the first couple of years, he’s going to find an increasingly negative response from society, because the truth is that, when you have a powerful, negative city like Gotham, it didn’t become corrupt by accident, and those entrenched people are going to respond very vigorously. (BO Mojo 2005)


Once thugs and mob was afraid to get out at night and people felt a little safer, Bruce already wanted to drop the cape and lead a normal life

Christian Bale: He's evolved. It is somebody who come to have power and is now dealing with a burden of the responsibility of having that power. He's somebody who's looking for a way out, he doesn't want to keep doing this forever, it's not good for his personal life, what is good for Batman tends to be terrible for Bruce Wayne and so he's looking for an elected official who can wipe out crime and corruption and he sees that in Harvey Dent and so he sees the future of Gotham but also for him more importantly he sees the finish of Batman where he can put it aside and he can get on with his life finally (ChuckTheMovieGuy int. 2008)
In the original he was striving to have the power to make change within Gotham and now he very definitely has that so you have a burden of responsibility of someone who has that power and what he should do with it (CBS 2008)


Christopher Nolan: He has sort of moved on, he is less tortured by his distant past. So we get to torture him all fresh! He’s never entirely free from torture, one might say. He can’t mope. He can’t have a self-indulgent angst. It has to be substantial. We tried to tell a story in the first film whereby he did confront and overcome various aspects of what drives him, of that angst, and left others hanging. So in this film we try to have the way Christian [Bale] plays the character start from that point. He’s not sitting around moping about the fact his parents got killed -- we dealt with that in the first film. But he’s nevertheless a very dark character.(CBR 08)


Bruce wants to hang the cape and have a life with Rachel, until she's brutally taken away from him. Despite that, it's evident that he wanted to put Batman away for good anyway. He was willing to reveal his identity and then at the end he took a blame for Dent's murders, successfully putting Batman in limbo.

Bale's Batman has a very good and trust filled relationship with Commissioner Gordon, whom he remembers from the night when his parents were murdered (That scene was taken from and originated in Sam hamm's original script for the 1989's Batman). While some cops and Mayor's and DA's office may not approve of this cooperation, Batman is given a free hand and an open access to crime scenes and investigations.


Gary Oldman: Batman's really got to be on his game and as smart as Gordon is, he's got to be a little bit, he has to just be a little bit behind, really you see the status. It's almost like the status of the relationship. The hierarchy of the relationship, so I'm doing a bit of catch up in the scene and then to level the status, I get a line that kind of looks like I know what I'm talking about, I'm catching on (IGN 2005)

This Batman moves very much like the modern age and original Bob Kane Batman, as a shadow, appearing on the rooftops, watching over the city


Christopher Nolan: [Christian] talked a lot about having Batman crouching in the shadows, he's constantly sort of crouched on the railings or sides of buildings  very much the way he is in the comics (Making of Batman Begins)

Christian Bale: It should always be almost as if you’re witnessing a very rare and dangerous creature in the jungle or something. Like somebody that you just glimpse momentarily. (Rebecca Murray int 2005)


 ...............................................



Thursday, January 20, 2011

Batman in 1990's: Val Kilmer & George Clooney


JOEL SCHUMACHER MOVIES
Akiva Goldsman: I tried to infuse characters with a little more pathos (Anthology)


There are several versions as to why Michael Keaton didn't reprise his role as Batman. Keaton says that he wasn't interested in the brighten up take on the character and in the new direction the series was taking, Schumacher claims that he was fired. One thing that's certain is that the movie was indeed greenlit with Micheel Keaton attached to the project.

Not only does Schumacher have Burton's blessing (''I wouldn't have approached it if Tim wasn't supportive of the idea,'' he says), but he has Michael Keaton's as well. ''Schumacher can make Batman sexier and more heroic,'' says Harry Colomby, a partner in Keaton's production company. ''Burton is not the hero type. His heart beats for the outsider-look at Edward Scissorhands.'' Keaton, who made $5 million for Batman and $10 million for the sequel, could earn as much as $15 million this time out of the Batcave. ''The predisposition for Michael is always to do Batman,'' says Colomby. Also watch for Keaton, who had to share the spotlight with those cute penguins in Batman Returns, to be more of a player in the next installment.(Entertainment Weekly Oct. 1993)

There are many versions as to what happened next though

Despite the success of the first two Batman movies, Michael Keaton passed over Batman Forever, convinced that there would be little reward in reprising the character again. Now, he is intent on moving on (Film Review Special #12)

Michael Keaton: To lighten up and brighten it up and be a cartoon was of no interest to me (Batman:The Complete History) 

He also did acknowledge that he was in talks at one point 
Michael Keaton: I knew we were in trouble in talks for the third one when certain people started the conversation with ‘Why does it have to be so dark?’ ‘Why does he have to be so depressed?’ ‘Shouldn’t there be more color in this thing?’ I knew I was headed for trouble and that it wasn’t a road I was going to go down.” (La Times 2011) 



Keaton talked about everything including why he "walked away" from "Batman Forever": "Apparently not for me." He said he has "personal" things to do, like time with his young son, as well as wanting to pursue "more interesting roles." (Variety Nov. 1994)

According to one source close to the production, Keaton, who starred in 1989's Batman and 1992's Batman Returns (which earned a combined $414 million), was making some thorny demands. ''He wanted $15 million,'' says the insider. ''He wanted a chunk of the gross, he wanted a chunk of merchandising.''
The Keaton camp strongly denies the showdown was about salary alone. ''Money was never the issue,'' says Keaton's producing partner, Harry Colomby. ''Not doing this movie means he probably gave up $30 million, based on his back-end deal.'' According to a source, Keaton was concerned that the Batman juggernaut was rolling without any input from its star.
Making matters worse was an increasingly tense relationship between Keaton and the film's new kingpin, Joel Schumacher, who replaced Keaton's friend Tim Burton as director. ''[After one meeting with Schumacher] Michael was not feeling confident,'' says the Keaton source. ''Creatively, it wasn't happening. He was worried that the character he'd lived with for two films wasn't going to be developed the way he wanted it to be developed.'' As the script was being revised, ''no one ever called [Keaton] to say, 'Wait! You've got to see this!' Or, 'Wait 'til you see what we've got for Batman!''' (Film Review July 1994)

O: Did you have the option to cast Michael Keaton in the third one?
Joel Schumacher: Yes. We were actually making it with Michael Keaton, but his demands were so ridiculous that Warner had to fire him. I inherited him. I was given Michael. By the time he was fired, I was saying, "Val Kilmer, Val Kilmer, Val Kilmer." I was saying, "Let's go younger." I'm always saying "Let's go younger" on my movies.
O: What do you think Val Kilmer brought to the role of Batman?
 Joel Schumacher: Well, he was a very handsome Batman. I think that Batman Forever was an excellent Batman comic book. (AV Club int 2003)
Joel Schumacher: Bruce Wayne has always been glamorous and attractive and charming on one level and then dark and tortured underneath and I knew Val could play all those sides (Anthology)


Joel Schumacher's movies were more so a reboot rather than a continuation. The series was only linked to the original  movies by two supporting actors (Pat Hingle and Michael Gough) and one sentence alluding to Catwoman.

Batman Forever's  take on Batman is in some ways similar, but in many more ways vastly different then the character presented by Tim Burton and Michael Keaton. One of the similarities is the character's internal pain and pathos, which was a target of discussion even before the script has been written between the writers, Joel Schumacher and Tim Burton who served as one of the producers on the movie.

Val Kilmer: Hes traumatized from his youth and its certainly a fundamental fear you're gonna lose your parents, raised by someone else,' lonely, angry and theres a goodness in him he wants to right wrongs (Anthology)

Joel Schumacher: I wanted to add mythic qualities to our story of batman and so there is a struggle for Bruce Wayne to find his identity (Anthology)

Val Kilmer did a good job in projecting a character that's deeply depressed the time. Goldsman said that the character was driven by guilt, blaming himself for the death of his parents


Mike Mignola: You look at Val Kilmer and you think what the hell is that guy thinking cause certain actors had this thing when you look at them and you know the wheels are turning in there (Anthology)

This Batman is also a very good detective who works with his mind using intelligence and deductive thinking (he solved Riddler's riddles instantly and along with Chase figured out very fast why Two Face attacked this particular bank on this particular day). He also seems to be skilled in many different areas including technology.

However, this is where the similarities end and where a completely different take on the character comes to light. This take on the Batman world is completely different - it isn't a Gothic story, nor is it a fairy tale kind of approach. According to the producers, Joel wanted a new style for Batman and that was Pop. As one of the producers, explained it:

Peter Scott (producer) : It's Saturday Night Fever on acid (Anthology)

Joel Schumacher: My job was to put everything new that I could (Anthology)

Schumacher eschewed the dark, dystopian atmosphere of Burton's earlier films. Instead, he drew inspiration directly from the source: the Batman comic book he admits to loving as a kid [the late 1940's/early 1950's Dick Sprang run]. (...) "What you see is color, great graphics, exciting action sequences and humor." (Variety 1997) 

While Bob Kane worked on Batman Forever as well, he also thought that Batman Returns was a bit too dark even for his tastes and agreed that a brighter direction should be taken

Elizabeth Kane: Bob thought that because the second one perhaps had moments a little too dark, then the third one should be a little more upbeat, not like the TV show by any means, but a little bit more lighter, brighter (Anthology)

Michale Gough: Tim is more a psychological thriller and Joel is more viewing thriller (Anthology)


With the extravagant, pop approach, it was just natural that not only the tone but the characters will change too. Since Gothic element was dropped completely, so were the characteristics of Gothic literature
characters:
First of all, Batman was no longer mysterious and puzzling, and is now a conventional main character .He wasn't psychotic anymore either. As oppose to Keaton's portrayal, this Batman wasn't a psycho consumed by the monster he was holding within who was taking him over whom he tried to fight, he was doing what he was doing because it was his choice

Joel Schumacher: He has a choice as a man now whether to continue to be Batman or not (Anthology)

Val Kilmer: He's disgustingly wealthy (...) what he chooses to do with his free time is fight an impossible battle against the crime of the city that is corrupt (Anthology)

From the script:
BATMAN
Poor, Edward. I had to save them
both. You see, I am Bruce Wayne and
Batman. Not because I have to be.
But because I choose to be.

This Batman was simply a hurt Bruce Wayne who was putting on a costume to fight crime

Gough & Millar (Smallville producers): Val Kilmer felt more haunted but heroic. He was comfortable with his wealth, Michael Keaton's interpretation was he was never comfortable in his own skin and never comfortable with all of this stuff which has basically come from his parents (Anthology)

This Bruce also wasn't a loner or a creature of the shadows. As already mentioned, he was simply a depressed and hurt crime fighter in a bat costume. This time he had no problems at all landing and talking in the middle of the crowd in full light in costume...


...and as oppose to his previous incarnation, didn't mind the crowds outside of the costume either inviting Chase to a big, loud and crowded event that is Gotham's Hippodrome Circus and to Nygma's party.


He was also a public persona this time, overlooking Wayne Enterprise and appearing on official galas and on many magazine covers


This Bruce and Batman is very open and there's no anger in him at all, just sadness. He isn't a creature of few words anymore, but a caped and cooperative crime fighter - after all, the signal was now on top of Gordon's quarters implying that the two are collaborating together. This Batman is not only talkative in and outside of the costume, but has a knack for cheesy jokes as well  - "You trying to get under my cape?", "It's the car, chicks dig the car", "I'll get drive through", "Try a fireman. Less to take off." It's interesting to note that Kilmer's Batman is more open then his Wayne side

For Kilmer's part, he makes as good a case for himself as did Roger Moore in his first Bond movie. Keaton may have had the edge in psychological complexity, but Kilmer has nicer lips, and lips are important to a masked Batman.
Keaton's was a quirky, middle-aged, almost unreachable Bruce Wayne. Kilmer's Bruce Wayne is younger and more handsome, and though he's morose and unsmiling, you get the feeling most of his problems would be solved if only he got with the right girlfriend.
(Film Review 1995)

While the previous Batman was a loner who wanted to be alone all the time and even stayed away from Alfred, this Batman, while originally receptive to the idea, accepted a young man as a crime fighting partner and welcomed him as a teammate.


In Dick he saw a young version of himself, and someone driven by pain who wants revenge. Still, he was rejecting the idea of endangering Dick by making him a teammate based on the danger factor and the boy's anger driven motivation, but as soon as he recognized his physical abilities and newly found focus he welcomed him in the "bat family"

He welcomes a partner as Batman and he also welcomes one as Bruce Wayne. He was willing to get involved with the seductive Chase, giving her a considerable amount of attention and being clearly affected by her charms. After he first saw her as Batman he was already enthralled by her and booked a visit in her office. Then even kissed her as Batman and accepted her night invitation, trying to connect with her as both batman and Bruce Wayne (by inviting her on a date)


Kilmer's Batman also had a thing for extravagant and flashy designer gadgets. This time his cave isn't a cold, wet, bat filled cave with a couple of rusty catwalks and a console, it was fully customized, filled with neons , customized construction and flashy gadgets like the rotating platform displaying glowing, logo filled Batmobile like at a car show


This Batman also has a very strong moral code which heavily goes against killing. He explains to Dick that if you kill once and you cross that line, there's no going back

From the script:
BRUCE
We don't kill. Killing is what damns you


At the end, Bruce is willing to spent his life with Chase and he's able to put his demons behind him, giving Chase her doll back saying that he's not gonna be needing it anymore. He made a peace with himself


............................................................


Michael Uslan (producer) George Clooney played a warm and fuzzy Bruce Wayne, kind of a guy next door. It was a completely different interpretation (Anthology)


Akiva Goldsman: What got lost in Batman & Robin is the emotions aren't real. The worst thing to do with a serious comic book is to make it a cartoon. (Reelz channel 2009)


Everything in the movie multiplies what was created by Batman Forever bt two, and the designs, action and campy dialogue is taken to an even bigger extremes then in it's already extreme predecessor


Val Kilmer however, did not return to protect Gotham again. As it usually is in cases like these, there are different version of events explaining why he did not reprise his role

Val Kilmer: Warner Bros offered me the next Batman, and the only reason that I didn't do it was because of The Saint. Warner Bros made a mistake. That was rushed, so they didn't tell me or my agent. They just went in and started pre-production, and I'd already committed to another movie. But Joel, I think, just thought that it looked bad for him professionally. It really didn't have anything to do with me. (UGO 2004)

Joel Schumacher: I’ll never work with Val Kilmer again, even if it’s to make The Val Kilmer Story.
Val is the most psychologically troubled human being I've ever worked with. The tools I used to work with him--tools of communication, of patience and understanding--were the tools I use on my five-year-old godson. Val is not just high-strung. I think he needs help. I say this to you only because I have said it to him (Premiere, April 1997)

According to sources close to the new production, Kilmer's outspoken nature gave the studio and Bat director Joel Schumacher pause. As one former Kilmer producer says, ''Working with him...[is] like working with nitroglycerin. [It] can blow up on you.'' While filming New Line's Island of Dr. Moreau in Australia last fall, Kilmer instigated script rewrites and occasionally clashed with crew members. Kilmer's agent would not comment, and New Line's president of production, Michael DeLuca, who helped find a new director (John Frankenheimer) for Moreau after Kilmer and costar Marlon Brando ran roughshod over Richard Stanley, insists that Kilmer merely ''has uncompromising artistic integrity.'' (Entertainment Weekly March 1996)

George Clooney was brought in to play a new take on Batman, which would go back to the 1960's Dick Sprang era which was Schumacher's introduction to Batman mythos. 


Joel Schumacher: There is a humanity to George, a kindness , a warmth that I think is new and I think very much needed. I thought he'd be a handsome, charming Batman (Anthology)

This Batman is presented as a regular next door guy, someone completely different from his previous incarnations. This time he was like a next door dad playing halloween and catching criminals with his boy. The decision to turn Batman into a regular, warm and kind guy in a suit was both Schumacher's and Clooney's

Joe Leydon: Your Batman seems to be a bit ...shall we say well adjusted
George Clooney: Yes, he's well adjusted. The one thing I talked to Joel about and he agreed was that we get rid of a lot of the flashbacks about his parents being dead (...) Its time to grow up, its time to move on a little bit. Most people I know who have had really bad pasts perform pretty well in day to day life
(Joe Leydon int 1997)

George Clooney: We talked about this because there were some pages originally written dealing with his parents being dead again and I said "You know he's a 35 year old guy who lives in a giant mansion and has billions of dollars and goes out with the most beautiful women in the world has the coolest toys and hes batman and I don't think anybody's gonna feel sorry for him".(Anthology)


Joel Schumacher: Because we were suppose to make am more family friendly movie i would make a gentler kinder...maybe not as depressed, not as tortured Batman (Anthology)
Michael was terrific, and Val was terrific, but I think George is the best Batman of all. He has brought a humanity to the piece that is fresh, and we've stepped away from a more brooding, self-centered Batman to a more mature, accessible Batman (Variety 1997)

This Batman was not only a kind and a gentle one, but he also had a big sense of humor and was very often smiling

Peter Scott (producer): Joel wanted him not to be too serious in the Bat role (Anthology)


He also never acted any differently outside of the suit then he did in the suit and even appeared at official parties in the suit. Clooney's Batman also never even changed his voice while in the suit. He was simply Bruce Wayne in a blue-black Halloween suit


George Clooney: Batman never gets excited, you'll never hear him yell, so the problem is in high energy scenes you have to keep the energy in the scene but your voice has to stay like this all the time (not changing voice) and that's tricky to do (Joe Leydon int 1997)
I wanted to make him sound like a doctor (Anthology)

Clooney's Batman is seen expanding is Bat Family by easily accepting Barbara Wilson as Batgirl, without any kind of opposition. 


This take on Bruce/Batman is that of a normal guy, so just like any other normal person, he has a steady relationship with a regular woman which is implied to be strong and long lasting. After all, there's a talk about getting engaged already. 


Never has Batman been less believable or human. It's not actor George Clooney's fault -- he gives it a game try, but, really, his function is to provide a body to put into the costume. We see even less of Bruce Wayne's heart than we do of his face. Gradually, over the previous three movies, bits and pieces of Batman's character began to surface. Not so here. All attempts at development are obligatory, perfunctory, and not terribly convincing (ReelViews 1997)

He has an even bigger knack for customized designing then he ever had before, turning his batcave into a high tech, flashy and colorful base


George Clooney: "I think we buried that franchise," (via contactmusic.com)


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